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Expo

Philippe Van Snick - Dynamic Project

No reservation required. Click here to learn how to get in as a member.

dynamic project explores the wide-ranging oeuvre of Philippe van Snick (Ghent, 1946 - Brussels 2019). The exhibition is presented as a circle in which the artist’s struggle with the complexity of life and the world stands central. You can see his most important works as well as those that are lesser-known. Like a suite of music, the exhibition lends colour and timbre to an oeuvre that defies categorisation.

Philippe Van Snick’s oeuvre does not reveal any abrupt stylistic breaks but consists of a meandering process of reflection in which his intentions become visible. His works are characterised by a personal note, a modest artistic gesture and the echo of vulnerability. Special attention is paid to Van Snick’s intimate living environment: his garden and house in France, his lifelong fascination with nature and its beautiful structures and cycles. He combines these elements instinctively and bridges them with geometrical interventions.

Ghent, S.M.A.K.

10:00 - €15

Free for members

No reservation required. Click here to learn how to get in as a member.

dynamic project explores the wide-ranging oeuvre of Philippe van Snick (Ghent, 1946 - Brussels 2019). The exhibition is presented as a circle in which the artist’s struggle with the complexity of life and the world stands central. You can see his most important works as well as those that are lesser-known. Like a suite of music, the exhibition lends colour and timbre to an oeuvre that defies categorisation.

Philippe Van Snick’s oeuvre does not reveal any abrupt stylistic breaks but consists of a meandering process of reflection in which his intentions become visible. His works are characterised by a personal note, a modest artistic gesture and the echo of vulnerability. Special attention is paid to Van Snick’s intimate living environment: his garden and house in France, his lifelong fascination with nature and its beautiful structures and cycles. He combines these elements instinctively and bridges them with geometrical interventions.

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